Halo 4: Hands-on with a true Halo sequel

xpghax Jun 10, 2012

  1. xpghax

    xpghax Gold Section Mod/Uploader

    Jan 30, 2011
    Likes Received:
    Trophy Points:
    in sidey's basement :(
    A kind of blindness and deafness sets in at E3; you're so busy dashing from meeting to meeting, wearing out your voice and wondering where the next bottle of water will come from that it's impossible to see the big picture.
    You'll piece together a picture of the show from overheard fragments and half-conversations with colleagues - Watch_Dogs is amazing, Star Wars 1313 is running on Unreal, John Carmack has built a pair of Space Goggles, and Sony's spectacular show-ender was matched only by Microsoft's opener, Halo 4.
    Cutting from live action straight into the game, 343 showed off their version of Bungie's Reach engine, rendering thick fog and dense jungle in a tightly-scripted sequence apparently designed to scare the living piss out of existing Halo fans. Instead of a wide-open Halo map this was a skinny corridor; instead of free-form combat this was scripted enemies attacking on demand, lunging at the camera and knocking the Chief to his back. It's a complaint 343 answered behind closed doors the following evening in downtown LA.


    If you caught Microsoft's E3 demo you've seen as much of Halo 4's story as 343 are prepared to reveal. Master Chief gets eaten by a planet, the UNSC Infinity follows him inside, and somehow we're at war with the Covenant again so we'd better go shoot at some things.
    Requiem is a Forerunner Shield World - an ancient construct built to protect the Forerunners from the firing of the Halo array some 100,000 years ago, and it seems to have worked as expected because an army of 100,000 year-old Promethean super soldiers are standing between the Chief and the wreck of the UNSC Infinity. Microsoft's stage demo offered a taste of what the Forerunners can do but it's only when you face them in the game you get a sense for how they rewrite Halo's rules.
    Microsoft put controllers in hands at a wildly expensive late-night event where they showcased Halo 4's PVP multiplayer and one level from the game's episodic co-op campaign. Over the weeks following Halo 4's release 343 will release new Spartan Ops maps and missions which pick up where Halo's solo campaign leaves off. Every episode has its own cut scenes and dialogue, and every episode can be played alone or with three friends.
    The demo level - The Cauldron - sends you onto the battlefield with your own custom loadout, transferable between PVP and co-op, with all-new armour abilities and weapons available from the very start. There's a new boost pack, X-ray vision, a riot shield of sorts, and a new Covenant needler-like rifle, only without the purple rain and explosive money shot. Sprinting is a standard feature, Reach's 'blooming' reticle returns, and the whole thing still feels like Halo despite the new developers behind the wheel and the enemies you'll face along the way.
    The Cauldron begins before Infinity even touches down inside Requiem, with a four-man Spartan IV team leading an assault on the entrenched Covenant forces by Pelican dropship. As the three mile-long Infinity drops out of slipspace it rams through the Covenant capital ships and opens up its MAC guns on everything it can't park on. This particular Covenant fleet is manned by the surviving religious zealots - the Grunts and Elites who remained loyal to the Prophets even in the face of extinction.

    For them Requiem is holy ground; for everyone else it's a misunderstood relic and weapon of mass destruction which threatens every living thing in the galaxy. Infinity's job is to reclaim the planet for someone less likely to unleash an invincible, immortal army on the Milky Way as the final act in a bonkers holy war.

    As the Infinity soaks up damage in orbit, the Spartan squad land on the surface - actually the inside of a huge metallic sphere. From the surface the sky is lit by an artificial sun which paints the world is shades of orange. If Bungie's Halo was blue and green then 343's Halo is orange and black - environments bathed in orange light with deep, black shadows; and enemies glowing bright orange beneath glossy black armour.


    The Forerunners are 343's answer to a decade of Covenant over-exposure. When you shoot an Elite he'll duck behind cover; kill him and his Grunt entourage will scatter - you've seen how they work and you know how to fight them, but the first time a Promethean dematerialises and pops up elsewhere, your entire gameplan collapses. The first few areas in The Cauldron - wide spaces in traditional Forerunner shapes - are populated by Covenant zealots but halfway in the Forerunners unleash an army of charging four-legged panther-like creatures and their heavily-armoured Promethean super-soldiers.
    Standing around nine feet tall, the Prometheans deploy shield-generating drones and can teleport to safety when cornered. Toss a grenade and the drone will catch it and fire it straight back, but a carefully-aimed shot will explode the grenade, the drone, and leave the Promethean vulnerable.
    343 showed as much in their on-stage demo, but here in The Cauldron the combat wasn't scripted. Our grenades missed their mark and our shots bounced harmlessly off the Prometheans' shields. Ten years of fighting the Covenant has made us soft and new enemies required new tactics. Fighting a Promethean isn't about chasing them, but about predicting where they'll go next and lining up enough firepower to catch them as they rematerialise.
    Nope, 343's stageshow wasn't Halo, but it's not a reason to be scared, either. In every interview 343's Frank O'Connor and Kiki Wolfkill have given over the past twelve months they've said the same thing - 343 are in love with Halo's sandbox and they're committed to bringing it to life. The proof is there in The Cauldron - a series of bowl-shaped sandbox spaces where four players have room to attack from any angle they choose.
    This, more than any other E3, was home to the safest scripted demos the show has ever seen. Every game got the same whizz-bang-pop explode-o-matic on-rails trailer designed to make Spike TV viewers douse their drawers and make everyone else rock back and forth with their head in their hands lamenting the death of videogames. It's the E3 where what you saw on stage has nothing to do with the game you'll play - Resident Evil's survival horror campaign was demonstrated by the world's toughest chopper bouncing off skyscrapers like a pinball, Splinter Cell: Blacklist is filled with shadow stealth missions but the stage demo was set in blinding sunshine, and Halo 4 came off like an intergalactic Call of Duty.
    A kind of blindness and deafness sets in at E3 and the major publishers aren't helping. If everything looks the same from where you're sitting it's because developers didn't dare show their real hands until they got behind closed doors. Sit down with Halo 4 and pick up the controller and it feels new, but crucially, it feels like Halo - no rails, no scripting, no quicktime events, and no need to worry. 343 might just know what they're doing after all.
    Last edited by a moderator: Jun 10, 2012

Share This Page